● 中文摘要：

　　2007年研究者持攝影機介入了父母的離婚過程，揭露了己身家庭所處的狀態，亦表達了研究者在長期承受家暴環境下的反撲；當時雖導致離婚生效，但實際生活卻仍是處於如同過往一樣的緊張。

　　2008年至今（2010）則更進一步探討家庭之緊張狀態何以至此的原因。本研究視雙方互為語言暴力與肢體暴力的加害者與受害者，並以同為外省第二代、虔誠宗教徒的共同特性為切入點，目的在瞭解兩者之生命經驗，以及性格養成與其價值觀、生命觀和感情觀；並以詮釋學式的深度訪談，還給被研究者對己身經驗的詮釋權；再試圖理出此段婚姻經驗的實際狀況，釐清兩者不合的原因。

　　最後，研究者並以自我反射的方式，除了視攝影機的介入為自我賦權外，亦表明以攝影機介入家庭拍攝所帶來的影響，更進一步以權力關係的角度剖析整個創作過程，包含拍攝當下攝影機本身與拍攝者/被攝者的相互關係，拍攝目的的轉變，到剪接成形後，參考的各方意見左右後製的調整，每個階段各展露不同的力量拉扯整個創作過程的聚焦點，逐一釐清，這對於同時身為當事者、介入者與研究者的多重身份而言，作為研究後設的方法，用專業創作者的角度進行紀錄片工作者具備的反思，使整體研究增加普遍性，讓探討家庭暴力問題紀錄題材的相關參考，帶給更多的反思。

● English Abstract:

     In 2007, the researcher involved in holding the camera during the divorce of parents, exposed the state in which the family relies instead. The researcher also expressed the environment in the long run withstand the counterattack of domestic violence.
     From 2008 to 2010, the researcher further explores the reasons why the family tensions to this. This study thinks parents as both the perpetrators and victims of physical violence and language violence. And think them to the same as the second-generation mainlanders, the common characteristics of devout religious believers as the starting point is to understand the experience of both life and develop their character, values, view of life and feelings of view. and to hermeneutics interviews, but also relies instead to be experienced researchers the right to interpret; then try to sort out the actual situation of this section marital experiences, to clarify the reasons for the two substandard.
     Finally, the researcher and self-reflective way, in addition to depending on the intervention of the camera for self-empowerment, it also demonstrates that the camera involved in the impact of the family shooting. And further analysis of the power relations point of view the whole creative process, including recording the moment the camera itself and the photographer / camera person is the relationship between the change in the purpose of filming, to editing after forming, after the reference to the different views about the adjustment of the system, each Expose the different stages of the pulling power of a focal point of the whole creative process. A professional point of view of creative documentary makers have the reflection of the overall increase in general, to investigate the record of domestic violence related to the theme of reference to bring more reflection.

● 文章連結：

https://hdl.handle.net/11296/8vprvh

● 資料來源：

臺灣博碩士論文知識加值系統